About

I make things that live in the space between the organic and the synthesized — between a sound you feel in your chest and one that exists only in headphones, between a mark made by hand and a form generated by process.

I have been playing music since I was eleven. Guitar, bass, keyboards, synthesizers, audio engineering — the instrument has always mattered less than what it could do. That restlessness carries through into everything else: three music projects with distinct identities, a visual art practice that moves between precise botanical drawing and fluid abstract painting, woodworking, and 3D printing.

The through-line is a belief that made things — carefully, intentionally made things — can create genuine connection between people. Not connection as a product feature, but as a physical and auditory fact. Something you hold, or something that changes the room you're in.

The work is “trippy” in the sense that it tries to unsettle the familiar — but it isn't trying to belong to any particular genre or movement. The acrylic pours look like something geological or cosmic without being either. The music reaches for something genuinely felt without being nostalgic about the analog or uncritical about the digital. The objects are useful and strange at the same time.

The goal, across all of it, is the same: to make something beautiful that improves someone's life, even briefly.